This allows a director in Los Angeles and a colorist in London to conduct remote, real-time, interactive grading sessions. That's often a very interactive process that happens on premises between a colorist and a client, director, or cinematographer.Įstablished high-end post facilities, like Compan圓 with locations in the US, Canada, and England, have pioneered remote color grading sessions using advanced systems like Resolve and Baselight. While editing collaboration at a distance can be a challenge, it's a far simpler prospect than remote color grading. Remote workflows didn't start with COVID, but that certainly drove the need home for many. Want to colour grade remotely with a client or colorist in Final Cut Pro X? Now you can with the popular Color Finale 2 Pro plugin running with the new Color Finale Connect workflow extension.
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